So as the war of words continue between the upstarts (my words) Khago and I-Octane in the dancehall the stereotypical traits of metrosexuality, blurred gender lines or feminization are implied in the lyrics as each artist tries to paint each other as closeted gays. Interestingly Khago in this song talks about "gender confusion" when he alludes that rival DJ I-Octane is using makeup and shaving his eyebrows via his contract he is forced to wear particular types of clothing that makes him out to be on the DL at best. In a previous post where I highlighted I-Octane's "Dream Bout Boi" track which also lambasts Khago but also percieved modes of dress that hint at gay life.
I-Octane
Nuh Dream Bout Boi Here:
and
also see or hear above "Woman Wi Seh" by I-Octane as well.
Khago
The Lyrics from "Weh Dem a Seh?" among other things contend:
"Sister locks wi nuh wear nor bredda locks"
(referring to a particular style of artificial hair interwoven into real hair for locking)
"No lip gloss ...." (suggesting other artists may wear such type make up)
"shaved eyebrows, wi nuh follow fags" (shaved eyebrows we don't follow fags/gays) [the first direct anti gay sentiment associated with perceived gay aesthetics]
"Wi nuh wear turtle neck cause wi nuh drifters" (we don't wear turtle necks as we are not drifters) [turtle neck clothes here suggesting a gay style of dress]
"No makeup to mi face dat a fi mi sisters" (no makeup to my face that's for my sisters) [suggesting feminine mode of dress by rival DJs]
"Wi locks real wi nuh wear fusion, we nuh join the gender confusion" (our locks are real we don't wear fusion {suggesting twisting fake hair and real to get the lengthy look} we don't join the gender confusion) [all this suggesting men who dress otherwise are confused about their gender
"Man str8 like 12 o'clock" ( Man is straight {orientation} like 12 o'clock) [suggesting comparison with the hands of the clock)
"no contract caan mek me over" (no contract can't make me over) [suggesting other artists maybe forced to use perceived feminized modes of dress and aesthetics in their public persona)
In the middle of the Jamaican metro-sexual revolution as I see it there is this back and forth between two possible great artists while instead of producing wonderful hits as we have seen they can, are distracted by this weirdness of perceived blurred gender lines but the real leader in all this metro-change is pushing on none the less despite some haemorrhaging from his Gaza camp and a major loss of support from a marketing guru Vybz Kartel pushes on despite his controversial lightened appearance and rumours of his HIV status. We are in interesting times people.
UPDATE:
Controversial DJ Tony Matterhorn with a new song critiquing other DJs for not calling names when bashing each other called "Dancehall Duppy (Ghost)" says that both Octane and Khago are tracing or quarreling like girls:
Here Khago tries to set the record straight but it seems the attempt only make matters worse and confusing for the viewing public:
Peace and tolerance
H
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